It is no surprise that technology has launched the distribution of music into an entirely new sphere of creativity. Since the rise of peer-to-peer file sharing software in the 90s (Napster), the invention of iTunes and its associated hardware devices (iPods and iPhones), and the creation of music streaming websites (Pandora, Last.fm), the potential of new media in the music industry is following a path that will ultimately lead to more opportunities to market and sell music. Although a lot of major record labels and Performance Rights Societies are butting heads with these new outlets, it can’t be denied that, whether it’s resisted or embraced, the advent of digital music is spearheading a new business model for the music industry.

We are on the verge of taking yet another

Radio.com is combining the power of 600+ “real” radio stations along with Last.fm’s scrobbling in an attempt to become the online source of radio.

Very good question.  Most of us know Sound Exchange is the digital PRO created to deal with royalties generated over the internet and through digital music devices, however it is still quite vague to a vast majority of the musicians and writers what EXACTLY Sound Exchange does. Thanks to Youtube, these questions can now be